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Monday, 31 August 2015

Catch a glimpse of Kirby’s ‘Movements’

By Andrew Mulenga

Dancer, oil on canvas by Emily Kirby
Movements, a solo exhibition of recent works by Madrid-based painter Emily Kirby is currently on display at the Zebra Crossings Café, Ababa House, Lusaka. Scheduled to run until 16 September, the artist returns to Zambia with a familiar energy while she continues to explore notions of movement and momentum as the exhibition title indicates.

The Zambian-born artist who has lived and worked in London for many years recently left the city opting for a Spanish base and she seems to be thoroughly enjoying it, but as usual, she makes her – almost – annual trip to visit her parents in Lusaka as well as draw inspiration and gather more material to inform her work.

“I am really excited by the art scene in Madrid. It’s extremely rich historically whilst having a strong emerging contemporary scene as well. It will take time to make new contacts and present myself, but I have already had a lot of interest and I am looking to do a show next year,” says the 2012 Ngoma Awards Zambian Visual Artist in Diaspora winner.

Three Impala, oil on canvas
by Emily Kirby
“I’m lucky that I have built an international network of people that follow my work so I feel free to move anywhere with good travel connections. I am living in a very diverse and vibrant neighbourhood with a large studio space near the Plaza Mayor, it’s a very romantic lifestyle with great weather and friendly people. With London just two hours away it’s perfect.”

Once again her work features charming renderings of wildlife in full motion such as Three Impala in which she portrays a prancing group of young antelope at play. In works like Hippos, she reduces the portrayal of two brawling hippos to an impulsive blur, their wide open mouths being perhaps the only recognizable features in the composition. Kirby also enjoys celebrating the human form in her work, in her poster piece Dancer it should be noticed that the figure of the subject and its movement are more important than the facial details too. It is paintings like these that reaffirm her slot as queen of the fleeting moment. But if there are any significant changes to the artist’s work, it is her palette, while it is still as vibrant as ever, her shades appear a bit chalkier than that of the works she showed in the same venue during the exhibition entitled “Africa Revisited”in 2012, and at the moment, she has firmly settled for oils.  

Time to Fly, oil on canvas by Emily Kirby
“Having worked in acrylics for three years I started to feel limited by the medium. Oils are so flexible you can experiment with many different methods of applying them. It’s exciting and I feel like I’m constantly learning more often by mistakes. The colour is rich as well,” she explains.
Despite the incursion of new media in today’s global art world such as photography, video and installation art, Kirby indicates that painting is making a comeback and she enjoys finding new painters that are challenging the theory that “painting is dead”.

Hippos, oil on canvas by Emily Kirby
“I also think it is important to ask where the line is drawn between what a painting is. It’s multi-media in itself. I also think that referencing art history and applying it to modern concerns and in a contemporary environment will always be refreshing,” she says. 
Giving her work some theoretical framework, she also indicates that art in general, and not only painting can be used as a therapeutic element with regards the fast pace of modern living.

Kirby - art has the ability to be a
catalyst for positive action
“In a world that is increasingly suffering from mankind’s apathy, I believe if we can be more energized by the beauty that is all around us, and feel inspired, even empowered to take more responsibility, there will be an acceleration of movement in the right direction,” points out Kirby “Art can’t pretend to make direct changes in the world, however, I continue to hope it has the ability to capture our imagination and be a catalyst for positive action.”

Born into a family of Lusaka-based artists in the early 1980s, Kirby holds a 2004 BTEC in Fine Art from Brighton City College in England and has exhibited in several group shows in London, Suffolk, Bristol, Surrey in the in England as well as Prague in the Czech Republic and Dubai in the Middle East. An avid travel aficionado, she has journeyed much of East Africa and also spent some time in Malawi and the Omo Valley in Ethiopia.
Movements her fourth solo at Ababa House’s Zebra Crossing Café along Lusaka’s Addis Ababa Drive opened on Thursday this week.  

Monday, 24 August 2015

Young Zambian fashion designers, creative time bomb

By Andrew Mulenga

(Photos: Vince Banda, R & G)

Zambians love fashion that is why it is no surprise that the escalating shopping mall culture has come along with the invasion of – mainly South African – fashion outlets such as Mr. Price, Exact, Foschini, Identity, Mud Boutique, Truworths, Uzzi and Woolworths.

But even in the shanty towns too, on every corner there are boutiques selling reasonably priced – mostly Asian-made clothing items. In some high density areas like Lusaka’s Kalingalinga, one can safely say, the compound’s little fashion shops outnumber the public taps that supply clean and reliable water.

New York-based style expert Natalie Joos (second from left)
shares a light moment with her Fashion Master Class
in Lusaka, Zambia
Anyway, not the whole of Zambia’s fashion scene is dominated by foreign-made clothes and accessories, there appears to be a fashion underground of sorts with locally made products and the purveyors of these products are a group of vibrant young designers, many of whom are not trained at all, seeing there are no fashion design schools in the country. What is even more exciting is the subversive nature of these youth, they reject foreign made products opting to create their own. Most start small, buy Salaula (used clothes) for personal use, make alterations to the clothes and the styles end up catching on with family, friends and before you know it, what started as an effort to look different emerges into a 10-client fashion label.

This is why Tau Foundation a newly launched Zambian none-profit outfit that aims at fostering educational initiatives in the arts and creative industry alongside the Zambia Fashion Council, an organisation focusing on promoting fashion talent recently flew in New York-based style expert and fashion consultant Natalie Joos to conduct a two-day Fashion Masterclass.

Debbie Chuma - As Zambians we
have potential to grow the emerging
industry if we unite and work together
According to Tau Foundations co-founder Gloria Huwiler, the workshop targeted local stakeholders in fashion including designers, stylists, models and photographers, it provided a comprehensive overview of the fashion industry, with a focus on styling, fashion publications, the new role of social media in fashion marketing and the skills sets needed to grow a brand for the fashion market.

“It was a really beautiful experience to see the impact of an international perspective on our young creatives through this workshop. The inspiration taken will no doubt contribute towards the creation of sustainable industries in the creative fields, and give a platform for the endless unexplored potential and talent that exists here.  We look forward to creating more opportunities like this in the future” says Huwiler who is co-founder of Tau Foundation along with Adaobi Mwanamwambwa. Huwiler, is a stage and screen actress who lives anywhere between the US, UK and Zambia, not new to arts initiatives, she successfully toured an exhibition of contemporary Zambian art in Hollywood and the New York art scene whereas Mwanamwambwa is on the verge of launching a company that manufactures hand-made safari boots and sandals, she already has potential customers from as far as California waiting in line, so the two are a very driven and focused team.

Nandi Ngwenya models a dress by
Mushamba Margaret Phiri of Musha Designs,
note the sophisticated strapless detail
Nevertheless, giving an insight into the Zambian fashion scene, Huwiler explains that the main clients of the young designers that attended the workshop are middle class Zambians and foreign nationals interested not only in supporting local talent but cultivating and expressing an African and Zambian identity.

“They appeal to a more educated, and patriotic crowd who prefer a unique expression of who they are and where they are from. They (the products) are however luxury items, individually crafted and therefore not always accessible to everyone,” she adds.
“Their work has a specific niche and clientele. They aren't necessarily making everyday clothes, most do not have a production team but make bespoke items for clients. It is good to note that South African chains, like Woolworths for instance welcome the collaboration with local designers, where their own items are used and altered, customized providing a unique and local take on their pieces.”

She indicates that the workshop was enthusiastically attended by various established and emerging local talent, and that Joos’ extensive experience in various sectors of the industry as journalist, stylist, photographer, casting director and style influencer provided a broad set of knowledge for the participants. Having collaborated with various brands among them Hugo Boss, Chloe and Roca Wear, Joos provided interactive and visual exercises and examples of international campaigns to encourage and improve the quality of local shoots.”

Some of the vibrant young participants that attended
the two-day Fashion Master Class in Lusaka
Huwiler says the workshop attendees left with an incredible sense of the vision and potential for growth as well as a newfound commitment to developing the industry as a coordinated and integrated collective, sentiments echoed by upcoming fashion designer and founder of design label Debbie Chu, Deborah Chuma.

“The Natalie Joos Master Class was so profound, educative and very fun. I personally learnt a lot from her about the fashion industry. As Zambians we have potential to grow the emerging industry if we unite and work together. This industry is worth a lot of money and as she (Joos) shared in one of her classes its worth more than $1.2 trillion as a global industry. If we work together we can tap into that as a country. There is a fire and burning talent in the young creatives of Zambia,” adds the 23-year-old. Joos herself describes Chuma as being very talented and having “great promise” dedicating an entire article to her entitled Debbie’s World on the blog Tales of endearment. Inspired by her late mother, Chuma’s dream is to sponsor herself to a world class fashion school abroad, make it big and one day provide employment for other young Zambians.

Joos takes a group photo, she is wearing a locally
designed outfit by Musha Designs
Another young Lusaka-based designer Christian Syafunko, described the workshop as an eye opening experience and that until this point, he assumed a stylists job was always personally tailored to the end user client.

“After the workshop I realised how helpful a stylist would be for interpretation of a range. I also understood the value of social media a little better,” he says

And Claudio Pasquini a student says: “It was a mind opening experience having Natalie teach us and guide us where to go and what to do next for the Zambian fashion industry. Natalie really helped me think a little more about the social impact such as Instagram, blogs, websites etc... I absolutely enjoyed it.”

“The art of fashion knows no boundaries Natalie Joos who's a stylist from the U.S. coming here and wearing my designs shows that the world of fashion knows no language, it bridges the gap between Zambian designer’s models photographers from different places. I learned that we could make an industry just like the one in US by working together. I was so excited that the face of Jimmy Choo could also wear my clothes, that is the Art of fashion,” adds local designer Mushamba Margaret Phiri.
In addition to the Fashion Masterclass in Lusaka, Joos carried out a workshop and training sessions through the Tau Foundation and Sun International with local seamstresses in Livingstone.

Tau co-founder Gloria Huwiler (l) with designer
Mushamba Margaret Phiri
According to Hewiler, the pilot project will continue to focus on the Woman’s Community Centre in Livingstone Victoria Falls to produce goods with recycled materials that have the potential for local sale and export. By providing woman with sustainable skills sets and developing small scale entrepreneurship so the women can provide for their families and improve their lives.
Joos is already back in New York but from the experiences she shares on her blog, you can tell that the countries vibrancy particularly that of the people she mingled with left a lasting impression on her.

She observes that: “There’s a lot of work to be done in Zambia, but if everyone pulls together and keeps the fire going, Zambia’s fashion talent will be on the map soon”.

Joos particularly commented that that what was missing is a platform for the young designers to show off their work and collaborate. The lack of fashion education was another issue in that only one college has a fashion class. There is also need for a fashion magazine, as well as a need for trained people.

She was pleased however that The Fashion Council, a private outfit, has identified these problems and is now trying to lobby government to create infrastructure for all the creatives to work together and sustain a self-sufficient fashion industry. Joos also indicates that she had a word with Minister of Tourism and Arts, Jean Kapata at an evening reception and encouraged her to look into the plight of fashion as a creative industry to which she implies the minister responded positively.

It would surely be exciting to see the Zambian fashion industry as small as it is, being fully supported by some government initiative as there certainly is no doubt that the young people involved in it are literally self-employed meaning they are supplementing governments direct responsibility of job creation and youth empowerment. Also would it not be nice to see Zambian made clothes on the international fashion runways of Milan, Paris, New York and London?

Meanwhile, if you are looking at getting yourself quality local fashion merchandise, designed and created by the young Zambian designers featured in this article, visit VALA, the go-to shop for local fashion at Foxdale Court, Zambezi Road, Roma, Lusaka.

Partners for both Tau Foundations workshops were Budget Stores, Leopards Hills Memorial Park, Latitude 15, The Royal Livingstone, R & G events, Pilatus, Akasuba, Nkwashi, Technet, Shreeji investments, African Grey, Melissa Supermarket, Woolworths. 

Monday, 17 August 2015

Ngoma, Sakanyi get eclectic at the Tayali

By Andrew Mulenga

Ten years to the day, Adrian Ngoma and Oliver Sakanyi return to the Henry Tayali Gallery in Lusaka for a collaboration. A decade ago, the duo exhibited alongside a group of friends in perhaps the last in a series of shows entitle Artists across the Zambezi.

Sleeping Beauty by Adrian Ngoma
While working as expatriate school teachers in Botswana, they would gather works by local (Tswana) and international colleagues, ferry them across the Zambezi into Zambia and exhibit them at the Henry Tayali Gallery in the Lusaka showgrounds. Held annually, these shows used to include a colourfully diverse range of artists such as Obed Mokhulani of Botswana, Indian-born Anita Bhattacharya and Krishna Kaberi, Kwesi Bovell of Guyana as well as fellow Zambians, Emmanuel Muntanga, Malumo Sibuku and Francis Mwanag’ombe.

Happy Children by Oliver Sakanyi
Nevertheless, their Botswana days are over and Ngoma and Sakanyi’s two-man show entitled Eclectic that is scheduled to feature Tourism and Arts Minister Jean Kapata as guest of honour, opens on Friday 21 August and is expected to run until 4 September.

According to the exhibition statement the artists: “wish to express images of their life experiences and share their visual memories with you in different styles as the theme suggests”. Between the two of them, the artists will have about 40 past and recent works on display, however, Ngoma is likely to have fewer pieces in the show due to his preference for diptychs (double-panel paintings) and large format canvases. Although the exhibition statement indicates that the artists will be showcasing images from life experience, themes concerning African masks and musical instruments should be expected in Ngoma’s work as can be seen in the Cultural iconology series of paintings. There is no telling, however, if some visuals from the anti-poaching paintings he produced last year will creep in. He was recently commissioned by the World Wildlife Fund (WWF) for its International Wildlife Trade Campaign, an on-going, one year sensitization project aimed at combating poaching and the illegal trade in wildlife commodities.

Cultural Iconology by Adrian Ngoma
From Sakanyi, viewers should expect small crowd scenes of women and children among other things. Works such as Happy Children that depicts youngsters engaged in song and dance may be a direct reference to his daily life as he is an Art and Music Teacher at Trident Prep and Sentinel School, Solwezi. An avid acoustic guitarist, he has also been involved in several musical performances and recordings, some of them involving his learners. Before taking up his Solwezi posting, he taught IGCSE Art and Design at Lusaka International Community School (LICS). Like Ngoma, Sakanyi holds an Art Teacher’s Diploma from Evelyn Hone College of Applied Arts and Commerce except he recently graduated from Zambian Open University with a BA in fine art.

Sakanyi and Ngoma have both worked with the Visual Art Council (VAC) in the capacities of National Secretary and National Treasurer, respectively.

Women on the move by Oliver Sakanyi
Meanwhile, in case you missed the opening, or you have not yet been to see Prescription: Nature an exhibition of wildlife paintings by Katerina Ring and Lyn Taylor, it is still on display at Zebra Crossing Café, that cosy little restaurant along Lusaka’s Addis Ababa Drive and if by some miraculous reason you find yourself in the atrium of the American Embassy in Lusaka after the 20 August you stand a chance of enjoying some select works from The Lechwe Trust Collection of Contemporary Zambian Art that will be on temporary display there. While the comprehensive collection itself comprises close to 300 paintings, prints, ceramics and sculptures by Zambian greats like Akwila Simpasa, Martin Phiri, Godfrey Setti, Shadreck Simukanga, Friday Tembo and Henry Tayali, surely just a handful will be nominated for the display.

Furthermore, if you happen to be in the tourist capital today, the 7th Insaka International Artists Workshop, will be launching its open day at the Livingstone Art Gallery on Sichango Road, behind Livingstone Showgrounds. The show is basically a display from an annual art camp that brings together artists at various career levels from across the globe to participate in experimental works, debate and networking. This year’s event has attracted participants from the United Kingdom, South Africa, Singapore, Greece, Egypt, Nigeria, Uganda, Kenya, and Zimbabwe and of course host country Zambia. The public display runs until 21 August so you only have one week to see it on weekends, the gallery operates from 10:00 hours - 17:00 hours.