By
Andrew Mulenga
(Photos: courtesy of Chipika Simanwe)
When he held
his first solo exhibition 1 Night Stand
in 2008, Chipika Simanwe tested his limits and pushed his own boundaries by
displaying his work in a very intimidating space, the Lusaka National Museum. A
colossal space that is not easy to fill, neither with painting nor viewers for
that matter not even by more experienced artists.
Simanwe (l) cuts the ribbon with Lucy Michelo CEO of Altitude Media during the opening night |
In that
show, he hung 35 paintings and only sold 5 earning him K15, 000 of which he
still had to part with K4, 000 for renting the venue. He did not make a
killing, but neither did he walk away empty handed if you do the math, better
still he walked away with something more valuable than money, willpower.
It is
the same willpower that led him to Red
Handed a smaller but more successful show at the Alliance Francaise in
Lusaka three years later and this year, between March 20 and April 2 he staged Red Handed Too a sequel at The Spice, a restaurant off Chaholi Road
in Rhodes Park which is a popular hangout for celebrities such as football star
Christopher Katongo, singer JK and rappers Slap Dee and Macky II. In
retrospect, Simanwe briefly share’s the planning, occurrence and aftermath of
the show.
Chipika Simanwe (R) in front of his painting Tailored Thoughts with hip-hop artise Macky II |
“I am a
person who loves to challenge myself with my art practice. My first solo was a
very bold move, I do not regret it at all despite the low sales. I was learning
the ropes and I still am. In Red Handed
Too I managed to sell 18 out of 30 pieces (on opening night). For me, this
only shows that hard work does really pay off. I have really pushed myself so
hard and I am only seeing the fruits now,” says the painter who is also a full
time Art Director in a leading media and advertising company.
Although
he has enjoyed a general increase in private collectors, he claims it is not
unique to him alone as an artist.
“There
is definitely an awakening that is going on in Zambia and I’m just loving it.
Gone are the days when only White people collected art. The majority of people
that buy my art are indigenous Zambians and I salute them. With the mushrooming
of new buildings, I can only hope that more collectors will jump on the band
wagon and give artists space on their walls,” he says revealing that
broadcaster Inutu Himanje is one of his long time collectors.
Viewers enjoy Simanwe's work during opening night at The Spice Indian restaurant |
Reiterating
on his choice of venue, he explains that exposing art to popular people gives
the usually overlooked visual arts a higher profile. His opening night was a
red carpet event, complete with the cutting of a red ribbon with Lucy Michelo
CEO of Altitude Media on hand for that particular moment, while the master of
ceremony was prominent public relations personality Kamiza Chikula. Also
present was the Ambassador of the Russia to the Republic of Zambia Konstantin
Kozhanov.
“I
really wanted to make this show very different from the shows I have had in the
past. I did a lot of brainstorming alone and with some colleagues to make the
opening night grand. The Spice Indian
restaurant is a place where a lot of celebs come to unwind. That speaks volumes
about the courtesy of the restaurant owner Pavan Kottari,” he says “Besides
Macky II told me that he actually used to draw a lot at some point but switched
to his Kopala Swag music. He was
impressed with my work and said he might work with some of my ideas. Prior to
my show, Pompi (a popular Zambian recording artiste) actually sent me a tweet
saying he loved my painting Valley of Decision”.
Guardian, 2015, acrylic on canvas 75cm x 60cm |
Simanwe’s
recent work is mostly semi-abstract, and he explores a broad range of themes,
the ones that stand out prominently are his examination of social issues as he humorously
casts suspicion on male dressmakers and hairdressers.
“My art
has become very experiential. There is a market where I go to every month to
have my hair cut and what you see in the paintings Hidden Agenda Salon and Tailored
Thoughts are things that I observe keenly,” he explains.
Hidden Agenda Salon probes the influx of male hairdressers
from East Africa into Zambia, many said to have Masai origins, from whose rich
culture they have lent their excellent hair plating skills into a money
spinning venture, beautifying local woman. Simanwe questions the honesty of these
hairdressers insinuating like the title of his painting suggests “hidden
agendas”. Hairdressing can be a very
intimate process, which is why these Masai gentlemen are also alleged to be
smooth talkers who can get themselves into ladies beds with the same ease with
which they plate their hair.
Elephantourage, 2014, acrylic on canvas 90cm x 120 cm |
Tailored Thoughts plays around with the same sexual
innuendo except it explores how mail tailors seem to enjoy measuring the waists
and upper-torsos of their female clients slightly more than they do the male ones.
Nevertheless,
it is clear to see that the artist is having fun, enjoying every moment of what
he is doing, but besides the glitz of the opening event and the playfulness of
some of his work, he is dead serious with what he does and every work has a deeper
underlying concept not easily read at first glance.
“The new
abstract characters that appear in my work are called Robokishi. They are inspired by the Makishi, which I took some time to research on. I found a document
on the internet by Victoria Phiri Chitungu very helpful. There are also traces
of Adinkra symbolism in my work.
Overall, Red Handed Too is a fusion
of some old and new concepts,” he says.
Overall,
the show was an outstanding effort by Simanwe who managed to print a
full-colour, 18-page catalogue to go with the event. Zambian artists often
overlook the importance of exhibition catalogues ignoring their archival
significance. One can argue the excuse of sponsorship for such publications is
a tired one, for this particular exhibition, the artist managed to coerce The
Spice, Juziel Digital Print Ltd, HK Media, Fortress, Prign Prints &
Advertising Ltd, Balistiq and City Media Ltd. For sponsorship.
In the
catalogue he gives thanks not only to God and people who have supported him
over the years but to his close family.
“I
mention my wife Bwalya in my thank you note because she has stuck with me
through very difficult times in my life and has always been a source of
encouragement. Last month in the month of March, we celebrated 9 years of
marriage,” he says.
Simanwe
is the winner of several awards – particularly in the area of graphic design --
that include the 2014 Overall winner of Publicis Africa Group Greeting Card
Contest, 2011 First Prize winner in ‘Healing the world through Music’
International Logo Competition, 2004 Runner-up in Visiting Arts
Artist-in-Residence at Delfina Studios, UK, 2003 Second Prize winner in Eastern
& Southern Africa Anti-Money Laundering Group Logo Competition and the 1996
First Prize Winner in World AIDS Day poster design competition under Ministry
of Health – Zambia.
His
International group exhibitions include the 2006 3rd International Rhodes
Cartoon Exhibition – Greece, 2005, Japan Expo 2005 and 2003 ARTIADE – Greece whereas
the local group shows he has featured in are the 2014 Lusaka My City, Mulenga Chafilwa
and others at 37d Gallery, Lusaka, 2006 Selected Southern African Artists,
Luanshya, Zambia, 2003 National Exhibition, Henry Tayali Gallery, Lusaka, 2001
National Annual Artist Exhibition, 2000 National Artists Exhibition, Henry
Tayali (HTVAC) Lusaka and the 1999 Mulungushi Hanging (ICASA conference),
Lusaka, Zambia.
He was
born in Lusaka in 1978, attended Kabulonga Boys High School, obtained a
certificate in Graphic Design at the Evelyn Hone College in 1997, an Advanced
Certificate in Multimedia and Web design Technology, Centre for Development of
Advanced computing (CDAC) in Chandigarh India in 2006.
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