By
Andrew Mulenga
(This story was first published in The Bulletin & Record Magazine - Zambia in 2014)
Not all visual
artists are stimulated by notions of beauty or inspired to mind-numbingly
repeat in pictures what their patrons and viewers would want to lap up.
Donchi Kubeba, 2013 (mixed media) by Mapopa Manda |
In Zambia,
this type of artist is rare; often taking the trouble-free stance of keeping
away from politics, our artists tend to restrict their focus to delicate social
commentary which can easily go unnoticed if not explained by the creators
themselves.
Perhaps
a wise position considering they are always scouring for public patronage hoping
of being subsidized by government someday, so it is sensible to avoid biting
the fingers before they feed you, whether this day will come or not .
Nevertheless,
there is a young rabblerousing Lusaka artist, Mr Mapopa Manda who has cast his
fears to the wind and speaks his creative mind with regards his views on
politics to the extent that a few times his works have been rejected in exhibitions
for being too politically charged and his favourite subject is no other than
the president.
“My
themes are based on current affairs in line with politics. We cannot all be
painting market and village scenes just because this is what the Martin Phiri’s
and Henry Tayali’s (two of the founding fathers of contemporary Zambian art)
used to do” says Mr Manda who believes his commentary stands for something. “It took
me almost two years to discover my rhythm. I’ve developed a mock newspaper
style,” he says.
Independence 2013 (mixed media) by Mapopa Manda |
The mock
newspapers resemble front pages. He uses a combination of paint and collage,
cutting out actual newspaper editorials, text or headlines and sticking them on
to the canvases.
He uses The Times of Zambia because he believes it
represents Zambia’s political history, whereas he links The Post to controversy and the Daily
Mail everyday issues.
He often
depicted Zambia’s late President Michael Sata clad in military uniform with
grim facial features that project him as a no nonsense authoritarian. Manda
intends to push his creativity to the limits and interrogate issues such as the
“90 days” election promises.
“I want to be extradited at some point through
my work and I don’t restrict my commentary to Zambia, I have done a version of The Spear after the painting by the
South African artist”, he says in reference to a controversial painting by Cape
Town based Brett Murray that depicted the South African president Jacob Zuma bearing
all. In his version however Zuma covers himself with a newspaper that has a
picture of The Spear.
But Mr
Manda does not restricted his troublemaking to the canvas. He is known for
causing a ruckus during art meetings and workshops where he speaks his mind.
Plot 1, 2012 (acrylic, collage on canvas)
by Mapopa Manda |
“I have
a problem with arts administrative bodies, I feel like we have been recycling
leaders who do not know a thing about art. The National Arts Council has been a
failure, an organisation can’t be run by the same people for 10 years,” he
points out “The same thing applies to the Zambia Visual Arts Council (VAC), I
think we need new leadership, young and energetic guys like me. VAC doesn’t
have direction, even in the past all the leaders have only been there to
spearhead their own interests that’s according to my own informal research it’s
time for young people to rule”.
He does
not mind the criticism and censorship he has faced by fellow artists and
proclaims one day he will make it big, if not in Zambia then abroad, citing the
adage that prophets are never appreciated in their own land.
Lusaka-based artist, Mapopa Manda |
”I have
even been labelled a trouble maker, but I don’t mind. I will be a star someday,
yes in fact I believe artists belong on the red carpet too, I want to be a celebrity
artist,” he adds, which is not unachievable. Artists do get to achieve
celebrity status such as the high flying American artists Andy Warhol or Jean-Michel
Basquiat, the latter even having dated the singer Madonna at the height of her
popularity. Locally we had artists such as Akwila Simpasa whom when outside
Zambia mingled with the likes of rock stars Jimmy Hendrix, Mick Jagger and Eddie
Grant.
It is
still early days in the career of the 31 year old, but Mr Manda is full of energy
and coupled with a prolific work ethic these are winning formulas, along with
his astute political eye, the art scene is yet to see the best of him.
He has
not been formally trained as an artist although he underwent some
apprenticeship with the prominent Zambian painter Stary Mwaba. He has been creative since a tender age but was inspired
to take up art after watching the biographical movies Vincent and Theo and The
Agony and the Ecstasy about the Dutch post-impressionist painter Vincent
van Gogh and the Italian renaissance master Michelangelo respectively. - ENDS
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