By Andrew Mulenga
The idea to hold an exhibition was essentially in
order to pay tribute to “African Market”,
a 1977 mural (wall painting) by Henry Tayali and offer the public access to
visit the masterpiece created by one of Zambia’s pioneer artists. According to
the German embassy, also it saw the exhibition as a great opportunity to
display the work of artists that it collaborated with as well as others who are
linked to Tayali. The exhibition was curated by William B. Miko working
together with Stary Mwaba and the author.
In her opening remarks during the launch on Tuesday
last week, the German embassy’s Head of Cultural Division, Isolde Aust stated
that Tayali´s painting at the old embassy attests to the time when Zambia and
Germany broke new grounds in their collaboration in the field of art and
regular exchange between artists that continues up to today.
In his
curators note, Miko indicated that he did not have it easy when selecting works
for the exhibition citing too many artists to choose from and therefore a lot
that could have been included were left out. Eventually only 25 artists were
featured in the show, namely Henry Tayali, Style Kunda, Vincentio Phiri, Rabson
Phiri, Agnes Buya Yombwe, Mabvuto Mwanza, Njalika Chongwe, Mulenga Chafilwa,
Ng’andwe Mwaba, Lombe Nsama, Lawrence Yombwe, Nsofwa Bowa, Flinto Chandia,
Mwamba Mulangala, Patrick Mumba, Zenzele Chulu, Bisalom Martin Phiri, Tom
Phiri, “Ziggy” Daka, Katwishi Tayali, Charles Chambata, Geoffrey Phiri, Stary
Mwaba, Enock Ilunga, Linda Chandia and Charles Chambata.
“The
‘Visual Voices’ is an art exhibition conceived to showcase what Zambia has to
offer to the world in the discipline of visual arts and its creative processes.
The primary purpose of this exhibition is to showcase a trajectory of art
development and indeed to celebrate the existence of the two artworks that are
permanently located at this former German Embassy building,” declared Miko.
Clearly on borrowed time, if only for a few
days, the display gave the implicit feel of a national art gallery in Lusaka,
something that has been lacking for years and remains hoplessly elusive, a
predicament that has for decades now, been compounded by the vexed question of funding
towards the visual arts, both public and private despite seemingly positive
lip-service with regards a revised cultural policy as well as general
investment in the development of arts and culture infrastructure countrywide.
Nevertheless, the Visual Voices exhibition attracted a diverse range of people from foreign dignitaries attending the Inter-Parliamentary Union international conference to local school children from Woodford School in Lusaka. It was visited by the likes of President of the German Parliament, Dr. Norbert Lammert, Vice-President Claudia Roth and Sub-Committee on Foreign Cultural and Educational Policies, Dr. Bernd Fabritius who were all fascinated with the display.
The old German Embassy building is still up
for sale awaiting purchasers, animating suspense as to what will happen to the immovable
1977 Henry Tayali painting in its foyer and the 2003 tree sculpture by Charles Chambata
on the lawns. Obviously there can be no instructing whoever will purchase the
building to desist from dismantling it wherever and however they so wish.
The German Embassy in Lusaka recently moved to new
premises leaving the building it has occupied since the 1970s vacant. The old
embassy building is in fact up for sale but before any transaction has come
forth, the German mission decided to host an exhibition of contemporary Zambian
art from 15 to 29 March.
Visitors listen to opening remarks by German Embassy Head of Cultural Division Isold Aust |
Entitled Visual
Voices, the exhibition featured Zambian
artists of various ages and career levels, in comparison the youngest is only
22 years old while the oldest is 73, the majority are self-taught, while the
most educated has a Master of Fine Arts such is the broad difference between
them. What amalgamates them; however is that they collectively possess an
outstanding creative proficiency in painting, sculpture and multi-media
installations and their work speaks directly to issues of everyday life,
traditional rituals, sexuality, family love and politics.
Curator of the Visual Voices exhibition William Miko with German Ambassador to Zambia Bernd Finke and in front of Henry Tayali's 1977 mural, African Market |
“We highly appreciate Zambian art - old and new - its
diversity and energy, as well as the existing initiatives of artists which
fortunately have been increasing over the last years. The German Embassy itself joined in the
effort of creating a space for Zambian artists by displaying selected works in
the virtual grounds of an online gallery on our website,” said Aust.
Woodford School pupils during a visit to the exhibition on Wednesday |
Nonetheless,
Miko stated artists will always remain a natural barometer of the past, present
and future epochs pointing out that this is how the viewer reads the social temperature
and gauges society’s intellect.
President of the German parliament Norbert Lammert admires a sculpture by Mabvuto Mwansa |
During
the exhibition the said Tayali artworks that are permanently attached to the
wall were accompanied by over 140 individual pieces spread across 15 rooms in
the one storey building. The lawns and driveway also had an array of metal and
stone sculptures that lent company to a 2003 work by Charles Chambata entitled “People
coming out of nature to create a new world” that features concrete sculptures
emerging from what seems to be a partially decaying tree.
The exhibition building had 2 floors and 14 rooms filled with art |
Nevertheless, the Visual Voices exhibition attracted a diverse range of people from foreign dignitaries attending the Inter-Parliamentary Union international conference to local school children from Woodford School in Lusaka. It was visited by the likes of President of the German Parliament, Dr. Norbert Lammert, Vice-President Claudia Roth and Sub-Committee on Foreign Cultural and Educational Policies, Dr. Bernd Fabritius who were all fascinated with the display.
Visitors admiring work by Charles Chambata, Lawrence Yombwe and Lombe Nsama respectively |
All in all, the Visual Voices was surely an outstanding display of contemporary
Zambian which would have been ideal to be left hanging a little while longer,
so that at least more people could see it. As a curator Miko had really outdone
himself concerning the display and mounting of the show, however, in retrospect
one might observe that it felt to a certain extent like an extension of the
Lechwe Trust Collection which to anyone who has been watching the Zambian art
scene for years should not come as a surprise seeing he is the Trust’s chairman
and is involved in its selection of works. It is perhaps against this backdrop
that one can feel there were a bit too many Agness and Lawrence Yombwes,
Mulenga Cafilwas and Style Kundas on display.
Copies of the “Visual Voices” exhibition catalogue are available for
purchase at K120 from the Henry Tayali Gallery at the Visual Arts Council in
Lusaka, the Zambia Open University Makeni Campus, Twaya-Art Gallery at the
Lusaka Intercontinental and the Lusaka National Museum. The publication features
25 artists biographies, a Foreword by German Ambassador to Zambia Bernd Finke
and Isolde Aust (Head of Cultural Division), a Curator’s Statement by William
Miko, plus Preface and 25 artists’ biographies by Andrew Mulenga and poem by
sculptor, Charles Chambata. The Preface, provides an updated overview of the
contemporary Zambian art scene.
It is with great pleasure that I read this well written especially that last month I was given an opportunity by my mentor Jean here in the Netherlands to attend the TEFAF in Maastricht an art exhibition which attracts the world to the beautiful city of Maastricht. It was at this exhibition while going round the stand that I came to both realize the great value people in the west place artistic work both contemporary and classic and are willing to pay a premium for them.some pieces even fetched in their millions of Euros.particulary I was amused by how much one piece of art from the 17th century from Mali fetched over 2 million euros .even though I was disappointed that there was nothing from Zambia in the exhibition I understood the value of art and thought of many ways to promote art in our country. There is huge potential in this industry indeed and we ought to up our game in promoting it.
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